There are nine movies nominated for “Best Picture” in this year’s Oscar race. After going to the movies yesterday for a double feature, I’ve now seen five of the nine. Interestingly enough, the only one of the nine that I really have no desire to see is “Django Unchained”, but I’ll check it out when it’s released on DVD.
With popcorn and Coke Zero (with a splash of Cherry Coke) in hand, we grabbed our seats for “Zero Dark Thirty”.
This Kathryn Bigelow-directed spy thriller, which is nominated for five Oscars, takes us along on the painstaking search and execution of al-Qaeda leader Osama bin Laden.
The movie begins on September 11, 2001, when terrorists hijacked planes and crashed them into the World Trade Center’s Twin Towers, the Pentagon, and a field in Shanksville, Pennsylvania. Those attacks led to the murder of more than 3,000 Americans and kicked off “the story of history’s greatest manhunt for the world’s most dangerous man.”
While a very talkative movie, Bigelow and writer Mark Boal, who was also at the helm of the 2010 Oscar winner, “The Hurt Locker”, gives you a thorough history lesson that didn’t make it feel like you were in school.
When we first see Best Actress nominee Jessica Chastain, she’s a quiet, mousy CIA agent observing torture techniques to get information on al-Qaeda. As the search for bin Laden drags on for almost ten years, we see her become a confident, assertive agent that gave the government the ammunition it needed to convince the president to order the U.S. Navy SEALs to go in and take bin Laden out.
The movie is being criticized in some circles as being pro-torture. Yes, we see several scenes of waterboarding, sleep deprivation, starvation, physical abuse, and psychological torture with one prisoner being naked in front of his captors. While the scenes were tough to watch and you did feel compassion toward the Middle Eastern detainee being interviewed, the reality of the situation is that 3,000+ Americans were killed and the U.S. needed information to prevent another 9/11 attack.
Jason Clarke was superb as the aforementioned interrogator. The acting in the movie is top-notch.
The movie is more than 2 1/2 hours long, but once the order is given to storm bin Laden’s compound in Pakistani darkness, you’re sitting on your seat and you hold your breath to see how the operation will go down.
As most of you already know, “Les Miserables”, or “Les Mis” is now a movie and Broadway musical based on Victor Hugo’s 1862 novel about Frenchman Jean Valjean, who served 19 years in prison for stealing a loaf of bread to feed starving relatives..
Once Valjean (Hugh Jackman) is released from prison, he breaks his parole and a police inspector, Javert (Russell Crowe) dedicates his life to track down Valjean and put him back in prison. In the course of redemption, Valjean becomes a factory owner and the mayor and he rescues the child, Cosette, of one of his dying factory workers, Fantine. (That’s not a spoiler if you know anything about “Les Mis”.)
Hugh Jackman received a Best Actor nomination and Anne Hathaway is nominated for Best Supporting Actress for her heartbreaking performance of poor, dying prostitute Fantine. Although her time in the movie is limited, when she performs “I Dreamed A Dream”, I was ready to give her the Oscar right then!
Helena Bonham Carter and Sacha Baron Cohen were amazing as the lying, cheating, unconscionable Thenardiers. Their comic relief was needed in a very bleak and depressing movie.
Now, since this is a musical, I have to mention the singing. Instead of singing along to pre-recorded tracks and lip synching, the actors were required to sing live with piano accompaniments. The orchestra was added in post-production.
Anne Hathaway and Samantha Barks (adult Eponine) were spectacular and Amanda Seyfried (adult Cosette) is just as captivating as she was in “Mamma Mia”. Hugh Jackman has done many productions that required singing, so he did a great job, too. I was also pleasantly surprised with the singing voices of Eddie Redmayne (Marius) and Aaron Tveit (Enjolras). Even Oscar winner Russell Crowe, while not a spectacular singer, was acceptable. Let’s just say he’s no Pierce Brosnan in the “Mamma Mia” movie!
However, singer Adam Lambert of “American Idol” fame was very critical of the singing in the movie.
While I like Adam and I have his latest album, I thought that was a little harsh. I mean they all can’t be “American Idol” winners. Oh wait, neither were you!
The “Les Mis” soundtrack is the #1 album in America and, in just the first ten days of release, it has already outsold Adam’s last album, “Trespassing”, in the U.S., which was released eight months ago. And, yesterday, it was reported that Adam Lambert was dropped/parted ways from his label. So, I guess he shouldn’t be too bitchy about the singing in “Les Miserables”.
My favorites numbers in the movie for those that have seen it are: “I Dreamed A Dream” (Hathaway), “Master of the House” (Bonham Carter, Baron Cohen, & Cast), “ABC Cafe/Red and Black” (Redmayne, Tveit, & Students), “On My Own” (Barks), Russell Crowe’s final song (giving you the title would be a spoiler!), and “Empty Chairs at Empty Tables” (Redmayne)
While “Les Mis” was nominated for eight Academy Awards this year, after seeing the movie, I’m very shocked that director Tom Hooper (“The King’s Speech) was snubbed for a Best Director Oscar nomination, along with director Ben Affleck of “Argo”.
“LES MIS” EXTRA — SAMANTHA BARKS “ON MY OWN”